Louis Vuitton VIPs Boil

Louis Vuitton VIPs boil, Issey Miyake make clothes from bananas and pineapples

Louis Vuitton bubbled VIP visitors in a sweltering nursery. Rick Owens solidified models in chalk paint, while Issey Miyake made garments from bananas. Such was Thursday, a normal day of energetic capriciousness, in Paris’ spring-summer 2015 menswear date-book. Here are the features and show reports from Day Two of prepared to-wear.

The sun was very much for the front-push at Louis Vuitton. Lamentably, the storied Parisian house additionally facilitated the spring-summer appear in a genuine nursery without ventilating — causing “The Hobbit” on-screen character Luke Evans, display Jon Kartagena and American football star Victor Cruz to sweat it out and fan themselves with the program notes as the show began delinquently.

Architect Kim Jones ventured out to India to consider the show. Was the nursery setting his method for influencing visitors to typify the geological subject? Issey Miyake got it without flaw. The Franco-Japanese house gave out powder ice-packs before their gathering that initiate when snapped.

LOUIS VUITTON’S BRIGHT 70s ODE TO INDIA

It was Rajasthan in vogue for Louis Vuitton. Jones gave the unbelievable northwestern Indian district — known as the place where there is lords — an in vogue revising with a retro, 70s turn.

Silk organza — motivated by turban textures with dynamic crisscross stripes — were rethought as exceptionally wearable semi-sheer wide short-sleeved shirts. What’s more, the shades of twofold breasted suits in rust, blue, wise, orange and pink invoked the sub-mainland palette. Regardless of the delicate colorings, this solid Jones trip likewise had a firm military spine. High-waisted pants with long, straight legs, sparkling clasp belts, vast uniform-style stashes, epaulets and military shorts in tan played with vestimentary codes of the Indian armed force.

The set — enormous puzzling pale plates — went considerably additionally back in time, evidently roused by a Rajasthan ruler who assembled a cosmic observatory in the mid eighteenth century. The noteworthy considering brought forth questionable traditional mirror weaving — with LV engraved plates — on flight coats.

In any case, general the accumulation got a noisy and merited round of praise.

ISSEY MIYAKE MAKE CLOTHES OUT OF FRUIT

It was a show for “tropical dandies” at Issey Miyake, as the Paris sun sparkled high in the sky. The tropical was in jellyfish themes, natural product prints, dazzling cobalt blue colors and in an innovative cloth material that blended abaca — woven wild banana — with pineapple yarns. Be that as it may, the best part, the dandy, was found in multi-layered outlines and in the hardened harshness of material manufactured on old weaving machines.

The abaca created the most grounded looks — like a baggy twofold breasted coat with a dandy-esque tassled-scarf underneath, a surging Japanese maxi coat in light dim, or crinkled cobalt blue shorts that a cutting edge flaneur may wear in his strolls about town.

Less effective were the hallucinogenic prints in distinctive yellows and blues, which had a lively edge however reduced the nuance of the rich material. Aside from being snappy, it was potentially the first run through in Paris a catwalk show could have been purchased at a natural product showcase.

Rick Owens was motivated by the Ballet Russes’ “The Faun’s Afternoon” — and their celebrated around the world outfit architect Leon Bakst — for the gothic American planner’s ordinarily erratic menswear advertising.

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The program notes were impervious, yet the gathering could be perused as a play on volume, deconstruction and back to front — and, notwithstanding, softening up.

The smooth coating of suit coats was utilized outwardly in tunics, in some cases in voluminous interwoven, while fixes were turned back to front. Dark coats amassed in clustered shapes were held set up by a shoulder lash — tossing usefulness to the breeze. Models’ bodies were in some cases painted completely with white chalk.

Obscuring design and craftsmanship, this was Owens’ most created accumulations in seasons. Now and again an article of clothing — like a tremendous white shirt — appeared to dissolve down the body and assembled at the base.

Owens is a contentious originator. In any case, here the feeling of war, passed on through nearly Spartacus-time loincloths and bosom bridles, came in incomprehensibly delicate hues like dim, light blue and pink, recommending a milder course for a ruler of haziness.

Louis Vuitton Stages Flamboyant Cruise Show in Japanese Mountains

Gambar terkaitThe Miho Museum in Japan is 9,628km from its Paris home office, yet Louis Vuitton was established to make costly baggage, and exciting globetrotting is particularly the point. The vogue among powerhouse brands for organizing elaborate catwalk occasions exhibiting their voyage accumulations proceeded with this end of the week with Louis Vuitton’s show at the historical center, as renowned worldwide for its stupendous setting in the Shigaraki mountains concerning its gathering of Japanese relics.

Voyage mold has dependably been about status. Considered to benefit an extravagance client for whom each occasion requested a showy new closet, the journey idea has turned into a tip top catwalk standoff between the world’s chief design houses.

The many visitors who flew in from everywhere throughout the world to go to the show, including the performing artists Michelle Williams and Jennifer Connelly, were driven from their Kyoto inns to the scene by escorts wearing Louis Vuitton-monogrammed driving gloves. The Louis Vuitton designer Nicolas Ghesquière has staged each of his cruise shows at a far-flung architectural landmark. This time, the show was held at the entrance to the Miho Museum, where a metal tunnel emerges from verdant mountainside and runs across a suspension bridge. The bridge – designed by IM Pei, who created the Louvre’s glass pyramid – formed the catwalk for the show on Sunday.

“The place inspired me right away,” Ghesquière said of the venue. It is the latest stop after the Oscar Neimeyer-designed Niterói Contemporary Art Museum in Rio de Janeiro in 2016, and the previous year’s visit to the Bob Hope estate in Palm Springs, on what he calls “an architectural voyage”.

In sleek tailoring, graphic prints, short hemlines and dramatic makeup, models strode the catwalk strung between mountains like avatars in an impossibly chic virtual world. Japanese elements were fused into the collection, from embroidered dragons to kimono-style belts. Prints were designed in collaboration with the cult designer Kansai Yamamoto, most famous for the jumpsuits he created for David Bowie’s onstage persona as Ziggy Stardust.

Read More :  Louis Vuitton is Making a Luggage Tracker

The Louis Vuitton event came days after Christian Dior staged a Georgia O’Keefe-inspired show in California’s Santa Monica Mountains, and a fortnight after Karl Lagerfeld recreated the Parthenon inside the Grand Palais for Chanel. Reflecting the growing importance of cruise, Prada staged a standalone show for its collection for the first time this year, in the brand’s new Milan exhibition space. In a fortnight, Gucci will take over the Palatina Gallery in Florence for a catwalk show that, honouring its €2m (£1.7m) donation to restore the city’s Boboli Gardens, will double as a celebration of the Italian brand’s cultural largesse.

With its romantic locations, star-studded audiences and a programme of functions extended over several days, a cruise show is now closer to the model of a festival such as Coachella, or a celebrity wedding in the style of George and Amal Clooney’s Venice nuptials, than to the traditional fashion week catwalk show.

The Hidden History of Louis Vuitton

The Hidden History of Louis Vuitton

At the point when mold architect Louis Vuitton first landed in Paris in 1837, the city presently couldn’t seem to unfurl as a form and plan capital. In any case, it was here that Vuitton established his baggage realm and, only a quarter century later, opened the world’s biggest store of movement things at 70 road des Champs-Élysées. Vuitton’s hunger for new experiences stays basic to the brand today, which writers Patrick Mauriès and Pierre Léonforte account in the new book Louis Vuitton: The Spirit of Travel (Flammarion, $40) utilizing chronicled photographs, print promotions, and verifiable records. The organization went ahead to open stores far and wide, from New York to Beijing, while the mark cowhide packs developed to incorporate the most recent mechanical advancements. Nowadays, going with Louis Vuitton pieces is a definitive image of complexity and extravagance, for both far-flung undertakings and regular metro drives.

After opening his first store in Paris in 1854, Louis Vuitton moved his workshops to Asnières-sur-Seine, northwest of the city. Craftsmen began to build luggage there in 1859, developing the brand’s original flat-top gray trunk and later outfitting French expeditions with travel gear. Above the workshop was a loft where the Vuitton family lived in order to remain close to production. Later they moved into an Art Nouveau–style home next door.

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Fashionable figures like Coco Chanel, Hélène Rochas, and the Rothschild family all sported Louis Vuitton luggage. The Duke and Duchess of Windsor’s wardrobe case had plenty of room to pack their attire for lavish functions during trips.

The brand has experimented with a variety of trunk finishes over the years: solid Trianon gray hemp oil, red-striped cloth, checkered Damier canvas, and the classic monogram canvas.   Louis Vuitton’s storefront window displays are their own art form. Inside, stores have also hosted art pieces, including the work of artists such as Fabrizio Plessi, Xavier Wilhan, and Olafur Eliasson.

Louis Vuitton Opens Exhibition in Agen Poker

Agen Poker

The previous evening Louis Vuitton assumed control Agen Poker’s previous American Stock Exchange for another show titled “Volez, Voguez, Voyagez – Louis Vuitton.” The establishment was curated by Olivier Saillard, diving once again into the historical backdrop of the mold house, from 1854 to display day. LOUIS Vuitton has brought its ‘Volez, Voguez, Voyagez’ exhibition to the US.

 

Opens Exhibition in Agen Poker


The exhibition, which retraces the history of the luxury brand from 1854 until the modern day, opened last week in the former American Stock Exchange building in New York City. read more : The Unexpected Journey At Rhe Heart Of Louis Vuitton

Agen Poker

The show first made its debut in Paris at the Grand Palais in Dec 2015 and has since enjoyed successful stints in Tokyo and Seoul. As could be expected, the opening was a star-studded affair, as Bernard Arnault, Chairman and Chief Executive Officer, LVMH and Michael Burke, Chairman and Chief Executive Officer, Louis Vuitton were on-hand alongside the likes of Alicia Vikander, Jennifer Connelly, Michelle Williams, Léa Seydoux, Jaden Smith, Adèle Exarchopoulos, Justin Theroux and Alexander Skarsgard.

Curated by Olivier Saillard, the exhibition explores the archives of the House’s founding family members, to offer an insight into the brand’s journey to global success, telling the stories of the people behind its growth, from the original founders to Nicolas Ghesquière, the current creative director of the brand’s womenswear collections.

Divided into ten chapters, the exhibition opens with an antique trunk fashioned with contemporary flair – a symbol of the House’s signature luxury luggage options. The final room emphasizes the brand’s shared history with New York City and the US.

Louis Vuitton is marking the opening of the exhibition with a pop-up store at the city’s Brookfield Place, carrying a curated assortment of leather accessories and fragrances. The boutique will run through Mar 30, 2018.

Complete Customize Your Judi Online Belt

Judi OnlineFor the first time in history, Judi Online is giving its customers the chance to make their own, totally unique version of the company’s iconic belt. The premise is simple: You mix and match buckles and straps, with the added opportunity to heat stamp you initials on the interior. But when the components are this luxurious, simplicity is a very good thing.

Customize Your Judi Online Belt

There is nothing more luxurious than the bespoke. An item made your way, just for you—it’s every customer’s dream. Louis Vuitton is giving its men a new way to feel special with its My Judi Online Belt service. For the first time ever, the iconic brand offers the chance to essentially design one’s own belt; clients can choose from a selection of 14 leather straps—everything from crocodile and ostrich to calf—and redesigned buckles ranging from the Judi Online Signature in palladium to an inlay with refined olive wood.

Adding to all that is the option for customers to have the strap hot-stamped with their initials, like an artist’s signature on a painting. Because each combination is an expression of self, and that deserves to be celebrated.

[ Further Reading: Celebrities pack into Louis Vuitton trunk exhibition in New York ]

The classic “Judi Online” buckle is now thinner and lighter than ever, with 12 options ranging from shiny gold and palladium to ultra-luxe versions inlaid with olive wood. For the strap, you can choose the label’s Taurillon leather or opt for something a little more exotic, like ostrich or crocodile. All in all, there are 240 ways to tweak the classic design to your own specifications. The service is available in Vuitton stores this week, and rolls out online in October. Mark your calendar.